Movie begin with the accidental encounter of the spirited girl along with a reticent guy, who subsequently trigger with an unpredicted journey. Same may be the situation here though their first encounter results in an impromptu abduction! Also most love tales finish using the bride running away on her behalf big day to her real Prince charming. Right here the bride to be remains in position though they choose a husband interchange within the marriage mandap. The modifications may be minor but, undulating, it will help this regular rom-com gain a name of their own.
The very best alternative the film selects, however, is getting Genelia D'Souza take part in the free-spirited girl within the over-used Kareenas and Katrinas the genre has frequently seen. Genelia not just brings quality towards the genre but her camaraderie with Riteish Deshmukh reaches full throttle as in comparison to any or all their earlier excursions.
To flee an unwanted wedlock, Small (Genelia D'Souza) will get herself kidnapped through the hands of the rickshaw driver Viren (Riteish Deshmukh). The humble Viren turns victim from the situation and it has no option but to hold forward with Mini's plans. Before the duo really will get kidnapped by some gangster.
The writing by Dhieyo Sandhu is probably not path-breaking stuff but does not fall within the foreseeable territory either. The very first half works towards building the rapport between your lead pair through their escapades. As the narrative, pretty much, keeps you hooked, the graph dips occasionally and something wishes the escapades must have been more eventful. There is not any physical closeness between your couple though their contrasting figures lead for their credible chemistry.
The other half lands in additional familiar territory amongst a North Indian sarso-ke-khet backdrop. You're at random brought to Viren's extended joint family as well as their specialized family business - kidnapping. You will find training on optimisation within the abduction trade and endorsement of Indian tourism with lectures regarding how to treat foreign vacationers with respect. Obviously they lead absolutely nothing to the plot but they are amusing nevertheless. Further you're assured this family setting is the perfect place where 'Pyaar To Hona Hi Tha' between your lead pair.
Fortunately director Mandeep Kumar has treatments for things and does not allow the film walk out hands. Neither does he let Genelia's animated act overload, nor does he overuse the cultural backdrop. Unlike most films in similar vein (Jab We Met, Love Aaj Kal, Ajab Prem Ki Ghajab Kahani), there's no third position within the love story and fortunately so. The film utilizes the abduction trade on the lighthearted backdrop bringing on good quality humour. However a small bone of contention is it subsequently uses exactly the same aspect to create a moral tone within the climax.
The film mainly works because of the convincing chemistry and performances through the lead pair. Riteish Deshmukh is resourcefully restrained, perfectly poised and, obviously, his comic timing is impeccable. Simultaneously he enables Genelia to consider lead because the film largely involves her character. And Genelia does complete justice to her meaty role having a refreshing and dynamic act. Her cute looks and electrifying smile increase her appeal. In the character cast, Om Puri will get the very best lines and induces frequent laughter. Chitrashi Rawat and Navin Prabhakar are wasted. Veena Malik's item number was avoidable.
The very best alternative the film selects, however, is getting Genelia D'Souza take part in the free-spirited girl within the over-used Kareenas and Katrinas the genre has frequently seen. Genelia not just brings quality towards the genre but her camaraderie with Riteish Deshmukh reaches full throttle as in comparison to any or all their earlier excursions.
To flee an unwanted wedlock, Small (Genelia D'Souza) will get herself kidnapped through the hands of the rickshaw driver Viren (Riteish Deshmukh). The humble Viren turns victim from the situation and it has no option but to hold forward with Mini's plans. Before the duo really will get kidnapped by some gangster.
The writing by Dhieyo Sandhu is probably not path-breaking stuff but does not fall within the foreseeable territory either. The very first half works towards building the rapport between your lead pair through their escapades. As the narrative, pretty much, keeps you hooked, the graph dips occasionally and something wishes the escapades must have been more eventful. There is not any physical closeness between your couple though their contrasting figures lead for their credible chemistry.
The other half lands in additional familiar territory amongst a North Indian sarso-ke-khet backdrop. You're at random brought to Viren's extended joint family as well as their specialized family business - kidnapping. You will find training on optimisation within the abduction trade and endorsement of Indian tourism with lectures regarding how to treat foreign vacationers with respect. Obviously they lead absolutely nothing to the plot but they are amusing nevertheless. Further you're assured this family setting is the perfect place where 'Pyaar To Hona Hi Tha' between your lead pair.
Fortunately director Mandeep Kumar has treatments for things and does not allow the film walk out hands. Neither does he let Genelia's animated act overload, nor does he overuse the cultural backdrop. Unlike most films in similar vein (Jab We Met, Love Aaj Kal, Ajab Prem Ki Ghajab Kahani), there's no third position within the love story and fortunately so. The film utilizes the abduction trade on the lighthearted backdrop bringing on good quality humour. However a small bone of contention is it subsequently uses exactly the same aspect to create a moral tone within the climax.
The film mainly works because of the convincing chemistry and performances through the lead pair. Riteish Deshmukh is resourcefully restrained, perfectly poised and, obviously, his comic timing is impeccable. Simultaneously he enables Genelia to consider lead because the film largely involves her character. And Genelia does complete justice to her meaty role having a refreshing and dynamic act. Her cute looks and electrifying smile increase her appeal. In the character cast, Om Puri will get the very best lines and induces frequent laughter. Chitrashi Rawat and Navin Prabhakar are wasted. Veena Malik's item number was avoidable.
Comments