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For almost a decade and a half, director Roland Emmerich has been intent on destroying parts of the world and causing general chaos amongst its inhabitants. To facilitate this he has made full use of the special effects available, whether it be the giant lizard in Godzilla (1998), the flooding of New York in The Day After Tomorrow, or the destruction of the White House in Independence Day, his best film to date. However, not content with what's done so far, Mr. Emmerich has targeted the entire world and made 2012, using a Mayan doomsday prophecy as the basis - or perhaps excuse - to reek havoc on Earth once more. And as hard as it may be to imagine, especially if you've seen Emmerich's previous work, the man has outdone himself in terms of scale of destruction and the visual effects which make it all believable (if that word can be used to describe an Emmerich movie). The film is all about, for its whopping 158-minute runtime, causing as much destruction as possible on a wo